FOR RELEASE February 21, 2015
Contact:
Alda Leal
aldaleal@stevewhiteblues,com
760-634-5458
Clint Burkett
clintburkett1@gmail.com
760-492-7188
 
We are pleased to announce the 2015 Steve White Music & Art Festival. It is our annual event celebrating the life and music of Steve White on Sunday, March 15th.
 
Encinitas, CA:
Seaside Bazaar - 11:00 AM to 4:00 PM  459 S. Coast Hwy 101
The Seaside Bazaar stage  will host a talent showcase all day. Open slots for musicians ready to play their favorite songs, spoken word performances and booths are available for artists to display and sell their own work.
So tell one and all and sign up.
 
Encinitas Library - 5:30 PM to 9:30 PM Encinitas  540 Cornish Drive
The celebration continues with more live music at the Encinitas Library. The opening act is “Friends of Steve” ( a circle of friends of Steve that will be telling stories about and playing Steve’s songs). Followed by “Trouble in the Wind” a local band from Carlsbad.
 
Closing the event we are screening: Steve White Painting the World with Music, a documentary film by Leucadia resident and filmmaker Clint Burkett.
 
Join us for a fun day of Steve’s spirit, music and visual art. He was a local and international musician who inspired thousands here and abroad with his creativity, spirit of giving, keen observations about everyday life, and sharp sense of humor.
 
This is a free event but donations will be accepted.
 
Music inquiries contact Rachelle Danto rdanto118@yahoo.com
Documentary information contact Clint Burkett: clintburkett1@gmail.com
Movie trailer: http://www.youtube.com/watch?v=Tn hUz7C0KQ
 
We look forward to hearing from you.
Alda Leal
Clint Burkett

 

Steve White (1950-2011), an Appreciation


Steve White passed away, Friday, April 22, 2011 just before midnight. He was dearly loved by many of us. It's impossible to put such things into words.

But you should know about his music. He lived in Southern California, 57 Miles from Mexico. He played small gigs along the coast, where the media-saturated and distracted audiences didn't pay enough attention to know what a gem they were missing. He could make a living, because he toured Europe twice a year to audiences who did know. But that's a different soapbox. If you like acoustic blues/roots music, then you have albums and albums of great music to listen to. Steve developed his own approach. He played a baritone guitar, double-dropped D, but sometimes tuned down to a low C or A. He used a percussive hand technique to keep the beat, and play the bass notes against the treble. On top of that, he was a killer blues harp player. With the harp in a rack, his unique right-hand groove and a slide on his pinky, you'd think you were hearing enough music. But that wasn't all. He built an amplfied footboard and turned his feet into his traveling percussionist. When Steve got going, you just wouldn't believe all that sound was coming out of one person.

But the best part was how damn musical he was. When you listen to Steve, especially on the many cuts where he was playing by himself, you have to appreciate that he was recording live, one take, no overdubs. His dad was in the foreign service; so Steve learned to play the blues in Thailand. Never wealthy, never compromising, he worked day jobs, honed his craft, and never quit, never quit, never quit. The result was solid, sometimes brilliant songwriting, masterful playing, and a legacy of original songs that anyone can play, but only Steve could own. For the last 10 years, after developing connections with blues fans in Europe, he was happily able to make a modest living. On one of his tours, a film crew followed him around and produced some great footage that you can checkout on YouTube.

  Most of all, Steve was a generous soul. His music is available and reasonably priced. And best of all, shortly before he was diagnosed with the cancer that silenced him, he made what might arguably be his best album ever, Home Away From Home (see below). You're probably listening to some of it now, if you've got the site player going. Produced in Iceland with a quartet of great musicians, it will be released in the next month or so. One of the remarkable things about Steve was that music was simply something he breathed. He was trained as an artist, and he became a good one. Some of his album covers are from his paintings, but Home Away From Home is a treasure because it comes with a lyric booklet thats full of his artwork. If you want actual music right now to put on your iPod, head over to iTunes or CD Baby, or look thru this website. You like acoustic blues and roots music? I present the great Steve White. You will thank me.

P.S. In the interest of minimizing frustration, I'd like to point out that iTunes is befuddled when it comes to finding this particular Steve White. There are two other Steve Whites, one a blues musician, another listed as "comedian" I can't vouch for them, they may be good finds as well. The Steve White I'm talking about here has three albums currently in iTunes: Better Days, Brand New World, and 57 Miles from Mexico. More music is available through his website.

Please post to the Guestbook rather than call or email at the moment. There will be a memorial gathering planned in the near future. Check back here. Thanks to all the people who have liked and loved Steve and Alda. Thank you. Thank you. Thank you.


Who Made You God?


By George Varga, POP MUSIC CRITIC

San Diego Union Tribune

"If every artist had the skill, courage and tenacity of Leucadia’s Steve White, the world of music (if not the world itself) would surely be a better place.

A rollicking one-man blues band who can create nearly as much aural combustion by himself as he can with his one-woman, two-man trio, White has been an invaluable mainstay of the San Diego scene for years.

He’s earned the respect and admiration of his fellow performers not only for his formidable songwriting skills and potent chops on acoustic guitar, harmonica and vocals, but for his self-effacing manner and repeatedly lending a helping hand to others and to an array of worthy causes.

Now, it is White, 59, who is receiving a helping hand from his fellow musicians, as he battles back from the esophageal cancer that on Sept. 22 led to the surgical removal of his vocal cords.

He is currently undergoing chemotherapy once a week and radiation treatments five times a week. It’s a debilitating regimen that, understandably, would have most people laying low. But not White, who — carrying on a tradition he began in 1989 — is still performing each weekend at Encintas Seaside Bazaar flea market (just north of the La Paloma Theatre).

By necessity, his performances now are vocal- and harmonica-free. But the fact that he can play at all is inspiring, let alone his ability to hold an audience’s attention in an all-instrumental format that, tips aside, is clearly a labor of love for him.

Alas, like far too many musicians in this country, White has no medical insurance to cover the formidable expenses his cancer treatment has incurred. That is why more than a dozen of his fellow artists are donating their services to play a benefit concert for him Saturday afternoon at the Encinitas Library’s Community Room. The show is headlined by top singer-songwriter Jack Tempchin (who has written classic hits for The Eagles, Johnny Rivers and Glenn Frey), redoubtable jazz vibraphonist Dave Pike and roots-rocking San Diego powerhouse Candye Kane (who is herself a recent cancer survivor). They’ll be joined by Nathan James, Steve Mendoza, Semisi & Fulabula, and more than a dozen other performers — likely including White himself — in what will be the third of four benefits for him this month alone (following two in November).

If you’re unable to get to Saturday’s benefit but wish to help, log onto stevewhiteblue.com. And it’s not too soon to start planning to attend the next benefit on his behalf, a Jan. 23 show at North Park’s Old Time Music that will feature Gregory Page, Lisa Sanders, Robin Henkel, Jim Earp, Jeff Morin, Chuck Perrin, Joe Rathburn, Berkley Hart and more."



" Steve - great to meet you - loved your music. Look forward to having you on our radio show sometime soon. Once again - I really enjoyed your music - best thing going at the show!"

Larry/West Coast Live - San Francisco


" Smack into the middle of the evening, just as the ears were flooded by a motley barrage of jazz styles, one suddenly heard the blues. For the folks at the Penang Island Jazz Festival, the 55-year-old American's performance, gruff yet docile, unpretentious yet engrossing, oozed with a sense of that deep original soul scarcely felt in modern music."

Himanshu Bhatt, Sunday Strait Times - Malaysia


" For Steve the train is on the right track and it is going very steady in the right direction. His guitar playing is better than ever, his voice can be compared to James Taylor’s in terms of warmth he also has a similar style of storytelling. The knowledge that the man displays as a guitarist, singer and slide player can be heard and seen at the MusikMesse in Frankfurt. He was in the Netherlands to give a clinic at Guitar Center in Wierden, and hopefully this resulted in an invitation to play at the acoustic festival in Raalte. Don’t let this chance pass. Steve White never disappoints."

Nicky Moeken, Gitaar Plus - The Netherlands


" In more than 40 years of listening to all kinds of music, 15 of them as a professional music critic and journalist I've never heard anyone who fires on all pistons this powerfully."

John D'Agostino

" I thought I'd write to let you know that blues legend Jody Williams tuned in to my show last week [from Chicago] and heard your "Mud Wrestling Team." He called me to say how much he liked it and how impressed he was with your musicianship. I had reminded listeners before I played it that it was one man, one take. Jody thought it was great. You never know who is out there listening to your music!"

Leslie Fleury, Blues Odyssey KSER - 90.7FM


" It's most impressive to see White performing live, to experience him slapping (!) his alternating base with his virtuously acting right hand, to hear him perform folk-blues harmonies with incredible intensity and produce a bass-drum groove with his feet on his custom made stomp-box. White brings across such a superior routine enriched with joy and energy that one cannot withdraw from it's magic. This man plays the strings in a precise and yet relaxed manner and thus embraces his bluesy, rough yet warm voice with the full groove. Harp interludes add further tone color to this charming, original folk-blues that would have definitely pleased John Lee Hooker."

Gregor Hilden, Akustik Guitar Magazine


" I'm planning do to a feature about Steve this year in Concerto Magazine ... I'm very impressed by your performance at the Blues Masters Festival in Austria."

Dietmar Hoscher, Editor of Concerto Magazine

"This musician brandishes his guitar like a hoe as he digs into fertile Delta music with a classic intensity."

Michael Kinsman, San Diego Union Tribune


" White uses the blues as his base. His music is not tied to traditional blues structures, his songs not hemmed by conventional blues subject matter. This travel on the sonic map ensures that the creeping sameness that is sometimes indicative of acoustic blues is not an issue for White. Remarkable!"

Dennis Roger Reed, Folk Works Magazine


"... great raw, funky, blues, and some mighty fine contemporary music as well. Steve plays acoustic blues, slide, harmonica, and all of it with whole lot of heart."

Blue Barry - The Blues Groove, Knoxville Blues Society


"It's not really accurate to call Steve White a group, but he certainly has enough talent for several musicians. He's San Diego's best blues player, his voice is wonderfully versatile, and his rhythm section, which consists of his pedal extremities, is unique."

San Diego Folk Heritage



Interviews

Steve has given written interviews in the last couple of months about his music, his life, career, music benefits:
An Open Letter by Frank Butler to Steve White and Some Q & A with Steve

(Includes music video of Steve's performance at NAMM)

An interview with Michael Christopher:
www.guitarinstructorsguild.com


NAMM 2010 interview with Udo Roesner from AER with music by Steve White
http://barefootmusicnews.com/blog2.php/2010/02/14/namm-2010-interview-with-udo-roesner-from-aer-with-music-by-steve-white
(Includes video interview with Udo, Steve's music playing in the background)


We would like to Thank You the Encinitas Scripps Hospital, Scripps La Jolla Memorial Hospital, doctors and nurses for their support and caring during Steve's iliness. Thanks to Dr. Eisman and Dr. Ling for their words, encouragment and sensibility of the removing of Steve's vocal cords. Thanks to the home nurses, physical therapist, Mr. Perry, Mrs Bunny, Tom Friedman and my good friend Suzanne for their kindness and friendship.


We would like to Thank You Chet Cannon, Veronica Graciano, Sharon Mack, Charmaine Tam, Steve Mendoza, Danny Salzhandler, San Diego Troubador, BLUSD, Michael Kinsman, Semisi, Francois Patanchon, Bob Page, Sonja & Wulli, Jim Babwe, David Judd, Taylor Guitars, Petr Samek, Milos Zajdl, the Czeck crew, Vincenzo Barattin, Joe Striebel, establishments, donnors, musicians, artists, fans and friends for their work and support during these last months - Bless you All!!

Before the Illness:


It is not a simple undertaking to adequately describe the work and art of this exceptional musician. Steve White, lives near San Diego, California.He has developed a unique sound and style seldom heard in our region. With his live shows he leaves his audience spellbound with the impression that they're listening to an entire band.

He celebrates a blues-drenched “songwriter performance” of the finest order. It would be an injustice to simply label him a “Bluesman” although his music owes more than a nod to that tradition. Even the songs he hasn't written himself become his when he plays them. His style is expressive and highly percussive. Listen to Steve. Here is what you get: His guitar in a low tuning of his own invention, he plays a bass line while alternating a slap-string right hand style with rhythmic accents on the off-beats, playing the guitar-top like a drum. With a slide on his pinky, a wailing blues harmonica on a rack in front of his mouth filling the breaks between raspy-voiced verses, and his clog-shod feet drumming away on an amplified footboard of his own design - the concert audience experiences a musical thunderstorm. John D’Agostino calls it a “voodoo symphony of pings, plonks and wacks”. Steve’s entire performance is unbelievably virtuosic; he neither emphasizes the technical tricks, nor are they perceptible. Only when one consciously tries to separate all the elements can one detect the complexity of the mix.

Steve White is the worldwide endorser of market leader AER (manufacturer of high-quality amplifiers and equipment for acoustic instruments). Because of this collaboration, his successful guest appearances, concert tours, and festival shows in addition to performances at fairs and exhibitions take him around the entire globe.

The European public is in the process of discovering him. He continues to build his excellent reputation through his CD releases, his steadily growing audience, and his outstanding concerts that capture considerable media interest. According to industry experts, the time is right to introduce Steve White to a broader audience in his country.

It's worth it to look forward to Steve White!